El Nido’s newly edited second album, “La Constantia,” is heard as he listens to both Rodrigo Quebus and fashion first. They have worked with both. At Rodrigo, they did it on their debut theme, “Icaros,” along with the topics of “Tucutu” (Move the Ass” and “Wild Dance” and David Ruiz -Cantante, a great orchestra of alcohol.
Apart from ESO, Quebus reminds us of our attachment to the popular Spanish rhythm. Rather, I already had the taste of the Anglo-Saxon people and the slightly Verbenero flavor of Spanish pop rock.
The same word, “Verbena,” promotes the tour that already takes El Nesti to Almeria, and most recently brings Coruna (April 5), Pontevedra (April 13), Granada (May 3), Huca (May 10), and Oviedo (May 24).
The thing that the public likes to collaborate, or how strategic it is, is because the El Nido album is the “Heart” next to Rosalen. However, the album is better off being close to “Anida”, claiming “acute, Ronda Jotas, Ajechaos, Charros and other traditional dance rhythms.”
“Welcome” produced by Diego Galaz and “Acute” produced by snakes are two of the most recommended themes, reminiscent of the happiest moments of popular parties. The second is marked with string instruments, recreating the idea that “words are photographed by the wind.”
https://www.youtube.com/watch?v=zhpekphmz98
https://www.youtube.com/watch?v=gnsiofaa_g
https://www.youtube.com/watch?v=59n-nmqvyem
