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Wale has always been one of hip-hop’s most introspective artists and is not afraid to explore love, success, and the struggle that comes with both. His Wednesday (March 19) release “Blanco” watches him peel another layer of himself by dealing openly with his battle with alcoholism. The vulnerability raises questions about what his upcoming album will bring, and how Wale’s overall journey fits in a broader conversation about rap addiction and mental health.
The lyrics of the song depict a man working on the devil, using alcohol as both an escape and a burden. Lines like “drowning in sadness, I’m back in the bottle” emphasize the depth of his struggle and show patterns that many understand (including this writer). Yes, DC’s talent previously spoke about his musical struggles, but this feels different – more raw, more direct, more personal.
In a press release discussing the track, Wale acknowledged his desire to be more open to his fans. “The artist has been hiding behind Bravado for years. The ‘splash’ removes it all,” he said. “This is the beginning of a more honest conversation with the audience and the feeling I feel, and I want to give people the opportunity to connect with the more vulnerable aspects of artistry.” This level of transparency is refreshing and necessary in genres where vulnerability is often covered by male ego.
What does this mean for the Wel’s Defjam era?
The Wale’s move to def jam represents a new start. After bounced among major labels, including Interscope and Atlantic, he places himself in a historic imprint that houses icons such as Jay-Z, Kanye West, and DMX. With this new deal, he appears to be trying to make music that reflects where he is now, rather than chasing trends and mainstream validation.
Folarin’s Def Jam debut took place in 2023 with the relaxed “Max Julien.” Following on, he released the EP of the three titled songs. The ghetto speaks In September 2024, we featured appearances from Chaz French and production of T-Minus. If “Blanco” is any indication, his upcoming album will tackle the themes of self-destruction, resilience and pursuit of clarity. Considering his past projects (whether it was a poetic reflection on him) Nothing album Or a black love celebration Wow… that’s crazy), this may be the most introspective album of MMG alumni.
The Wale journey in hip hop was not linear. He has achieved multiple peaks since his breakout mixtape and smash hit “Lotus Flower Bomb.” Two No. 1 albums, collaborations with icons like Lady Gaga and Rihanna, and a cult-like fanbase that consistently rides for him. Despite his talent, he often feels overlooked and faces criticism of everything from social media posts to honest views on industry politics.
The truth is said, this underdog’s status is part of what makes him so approachable. He was constantly acknowledged and fought. And like his leader Rick Ross, he had to remind people of his influence over and over again. But beyond the hoopra of the music industry, his inner conflict, including mental health challenges, makes his revelation on “Swings” even stronger.
Hip Hop Alcoholism: Bigger Conversation
Werle’s openness about his relationship with alcohol places him in a lineage of artists who used music as a means of introspection. Kendrick Lamar’s “swimming pool (drunk)” dissected the culture of excessive drinking and questioned whether alcohol is a social lubricant or a crutch. Big Krit’s “Meditate” (and other songs in his catalogue) touched on the escapism found in matter, showing an internal tug of war between dul and self-control.
“Loisda 5’9” is one of the most vocal figures when it comes to fighting alcoholism. The Detroit Legend is an open book about his drinking, detailing how he changed his life and artistry. You just have to do bad things, make really bad decisions, and have yourself in situations where you honestly feel that you are superior. “He also spoke openly about the alcoholism almost ruining his marriage. Lois’s story is a testament to the power of self-awareness, and Wale’s latest suggests that he is also struggling with these perceptions.
The beauty of the “swing” is that it didn’t provide a simple answer. It is not the national anthem of red, nor the glory of evil. Instead, it sits in an unpleasant middle, a space where many listeners may find themselves.
Wale, who chooses to deal with alcoholism with his music, is important not only for his journey, but also for his larger conversations about mental health and addiction in the rap world. As he prepares for his first album under Def Jam, “Blanco” serves as a signal that he is more prepared to bare his soul than ever before.
